The Korean Electro-Acoustic Music Society's 2011 Annual Conference & its Computer Music Journal, Emille, present:
Call for
Proposals
The Korean Electro-Acoustic Music Society (KEAMS) is
pleased to announce a call for proposals for the 2011 KEAMS annual Conference
and its journal Emille. KEAMS was
formed to promote active research and discussion on electro-acoustic and
computer music, and will hold this year's conference during the Seoul International Computer Music Festival
(SICMF 2011: http://www.computermusic.asiamain_en/) from October 18th to 23rd, 2011. Selected papers from the conference
will be published in Emille Vol. 9
(December, 2011). If you want your paper or workshop idea to be considered for
the 2011 KEAMS Conference, please send an abstract or proposal (maximum of
2,000-characters including spaces) and curriculum vitae as PDF documents to the
following address:
Proposal Submission: Donoung Lee <dolee@snu.ac.kr>
Program Committee Chair / Editorial Advisory Board
Professor for Composition
and Electro-acoustic Music at Seoul
National University
Contact for Further Inquiries: PyoungRyang
Ko <pyoungryang.ko@googlemail.com>
Program
Committee Coworker / Assistant Editor
Lecturer for Harmony and Counterpoint & Music Analysis at Seoul National University
Lecturer for Electro-acoustic Music at Sookmyung Women's University
Category of Topics
For the 2011 KEAMS conference, the following topics
are encouraged:
a) Creative
Encounters between Music and Science
b) Multidisciplinary
or Interdisciplinary Research (co-authors acceptable)
c) Systematic
Musicology (Music Theory)
d) Analysis
of Electronic and Computer-based Music
e) Sound
Synthesis
f) Music
Psychology
g) Instrumentation
h) Development
of electronically-extended Musical Instruments
i) Music
Software Engineering
j) Artificial
Musical Intelligence
k) Computer-aided
Composition/Analysis
l) Automatic
Composition
etc.
As demonstrated by the following examples, participants
may submit more than two proposals, making a whole presentation session or an additional
workshop session:
Example 1: Presentation
Session Plan *
Session |
Sample topic: Spatialization (4 x 30 min. = 25 min. presentation + 5 min. Q&A) |
Presentation 1 |
Spatialization methods using
less than 8 channels |
Presentation 2 |
An overview of the design of a Loudspeaker Orchestra |
Presentation 3 |
Applications of Ambisonics
and Spherical Acoustics |
Presentation 4 |
A proposal of multi-3D audio reproduction system for
the multi-functional concert hall |
* You may submit several proposals without a session
plan.
Example 2: Workshop
Session Plan **
Session |
Sample topic: Using
controllers for composition and acoustic installations (3 X 90 min.) |
Workshop 1 |
Controllers using various
sensors and Arduino |
Workshop 2 |
Use of Smartphones and Tablet
PCs as controllers |
Workshop 3 |
Inter-application uses of
Controllers (Using Processing to Control Csound, MaxMSP, PD and SuperCollider) |
** You may submit a
single proposal for a workshop. You also may submit multiple proposals for
individual workshops without a session plan.
Important Dates
- Deadline for Proposal Submission: May 31, 2011
- Notification of Acceptance of the Proposal: June 30, 2011
- Deadline for Paper Submission before
Conference: September 30, 2011
- Deadline for Final Paper Submission: November 1, 2011
SESSION FORMATS
Each session will consist of up to four presentations.
Each paper will be presented in person for about 25 minutes followed by ca. 5
minutes of discussion. If you want to give a keynote presentation, you will be given about 50 minutes to present, followed by ca. 10 minutes of discussion. Please
include the word keynote in your
submission if you are planning on applying for a
keynote presentation. The length
of each workshop will be about 90 minutes. Video
conferencing over the Internet is also available.
Fees
Thanks to funding from the Korean Arts Council, the
registration fee and publication fee will be waived.
It is also possible for students and non-experts in
the fields mentioned above to submit proposals for the conference and the
journal, Emille. All proposals will be screened by the
program committee and selected solely based on the quality of the
research and topic.
Your ideas are critical in making the conference and Emille enriching, important and
substantial. We look forward to reviewing everyone's entry.
Computer Music Journal Emille
http://www.keams.org/main_en/emille/
Editorial
Information
Editor
- Young-Mee Lymn Lecturer for Electro-acoustic
Music at Hanyang University etc.
Assistant Editor
- PyoungRyang Ko Lecturer for Music
Theory & Electro-acoustic Music at Sookmyung Women's
University etc.
Editorial Board
- Roland Breitenfeld Professor for Composition
and Electronic Music at Seoul National University
- Jaeho Chang Professor for Music
Technology at Korea National University of Arts
- Richard Dudas Professor
for Composition and Computer Music at Hanyang
University
- Han Shin Kim Lecturer for Electro-acoustic
Music at Sookmyung Women's University etc.
- Byung-moo Lee Lecturer for Composition
& Electro-acoustic Music at Chugye University for
the Arts etc.
- Kyogu Lee Professor for Computer-based
Music Theory and Acoustics at Seoul National University
- Seong-Joon Moon Professor for Composition
at Chugye University for the Arts
- Unjung Nam Professor for
Computer Music at Baekseok Arts University
- Woon Seung Yeo Professor for Computer-based
Music Theory and Acoustics at Korea Advanced Institute of Science and
Technology
- Jongwoo Yim Professor
for Composition at Hanyang University
Editorial Advisory Board
- Sung Ho HWANG Professor for Composition
at Korea National University of Arts
- Donoung Lee Professor for Composition
at Seoul National University