The Korean Electro-Acoustic Music Society's 2012 Annual Conference & its Computer Music Journal,
Emille, present:
Call for Proposals
The Korean Electro-Acoustic Music Society (KEAMS) is pleased to announce
a call for proposals for the 2012 KEAMS annual Conference and its journal Emille. KEAMS was formed to promote active research and
discussion on electro-acoustic and computer music, and will hold the next year's conference during the Seoul International Computer Music Festival
(SICMF 2012: http://www.computermusic.asiamain_en/) from October 23rd to 27th, 2012. Selected papers from the conference
will be published in Emille Vol. 10 (December, 2012).
If you want your paper or workshop idea to be considered for the 2012 KEAMS Conference, please send an abstract or proposal (maximum of
2,000-characters including spaces) and curriculum vitae as PDF documents to <emille[at]keams.org>.
Category of Topics
For the KEAMS conference, the following topics are encouraged:
a) Creative
Encounters between Music and Science
b) Multidisciplinary
or Interdisciplinary Research (co-authors acceptable)
c) Systematic
Musicology (Computational Musicology, Computational Music Theory)
d) Analysis
of Electronic and Computer-based Music
e) Sound
Synthesis
f) Music
Psychology
g) Instrumentation
h) Development
of electronically-extended Musical Instruments
i) Music
Software Engineering
j) Artificial
Musical Intelligence
k) Computer-aided
Composition/Analysis
l) Automatic
Composition
etc.
Important Dates
- Deadline for Proposal Submission: June 25, 2012
- Notification of Acceptance of the Proposal: July 10, 2012
- Deadline for
Paper Submission before Conference: September 30, 2012
- Deadline for
Final Paper Submission: November 15, 2012
SESSION FORMATS
Each session will consist of up to four presentations.
Each paper will be presented in person for about 25 minutes followed by ca. 5
minutes of discussion. If you want to give a keynote presentation, you will be given about 50 minutes to present, followed by ca. 10 minutes of discussion. Please
include the word keynote in your
submission if you are planning on applying for a
keynote presentation. The length
of each workshop will be about 90 minutes. Video
conferencing over the Internet is also available.
As demonstrated by the
following examples, participants may submit more than two proposals, making a
whole presentation session or an additional workshop session:
Example 1: Presentation
Session Plan *
|
Session |
Sample topic: Spatialization (4 x 30 min. = 25 min.
presentation + 5 min. Q&A) |
|
Presentation 1 |
Spatialization methods using
less than 8 channels |
|
Presentation 2 |
An overview of the design of
a Loudspeaker Orchestra |
|
Presentation 3 |
Applications of Ambisonics
and Spherical Acoustics |
|
Presentation 4 |
A proposal of multi-3D audio
reproduction system for the multi-functional concert hall |
* You may submit several proposals without a session
plan.
Example 2: Workshop
Session Plan **
|
Session |
Sample
topic: Using controllers for composition and acoustic installations (3 X 90
min.) |
|
Workshop 1 |
Controllers
using various sensors and Arduino |
|
Workshop 2 |
Use of
Smartphones and Tablet PCs as controllers |
|
Workshop 3 |
Inter-application
uses of Controllers (Using
Processing to Control Csound, MaxMSP, PD and SuperCollider) |
** You may
submit a single proposal for a workshop. You also may submit multiple proposals
for individual workshops without a session plan.
Fees
Thanks to funding from the Korean Arts Council, the
registration fee and publication fee will be waived.
It is also possible for students and non-experts in
the fields mentioned above to submit proposals for the conference and the
journal, Emille. All proposals will be screened by the
program committee and selected solely based on the quality of the
research and topic.
Your ideas are critical in making the conference and Emille enriching, important and
substantial. We look forward to reviewing everyone's entry.
Emille, the Journal of the Korean Electro-Acoustic Music Society
Editorial
Information
| Editor in Chief |
Lymn, Young-Mee |
Lecturer of Electro-Acoustic Music (EAM) & Music Theory (MTh) at Hanyang University etc. |
| Editor |
Ko, PyoungRyang |
Lecturer of MTh & EAM at Seoul National University, Sookmyung Women's University etc. |
| Editorial Board |
Breitenfeld, Roland |
Professor of Composition and Electronic Music at Seoul National University |
Chang, Jaeho |
Professor of Music Technology at Korea National University of Arts |
Cho, Jinok |
Lecturer of MTh at Seoul National University, Chung-Ang University etc. |
Cho, Youngmi |
Lecturer of EAM & MTh at Pyeongtaek University etc. |
Dudas, Richard |
Professor of Composition and Computer Music at Hanyang University |
Kim, Han Shin |
Lecturer of EAM at Sookmyung Women's University etc. |
Lee, Byung-moo |
Lecturer of Composition, MTh & EAM Music at Chugye University for the Arts etc. |
Lee, Kyogu |
Professor of Music Information Retrieval, Music DSP at Seoul National University |
Moon, Seong-Joon |
Professor of Composition at Chugye University for the Arts |
Nam, Unjung |
Professor of Computer Music at Baekseok Arts University |
Parks, Kevin |
Professor of Composition and Computer Music at the Catholic University of Daegu |
Yeo, Woon Seung |
Professor of Audio visual art, New Musical Interface, Mobile Orchestra and Music DSP at Korea Advanced Institute of Science and Technology (KAIST) |
Yim, Jongwoo |
Professor of Composition at Hanyang University |
| Editorial Advisory Board |
Ahn, Doo-jin |
Professor of Composition at Hanseo University |
HWANG, Sung Ho |
Professor of Composition at Korea National University of Arts |
Lee, Donoung |
Professor of Composition at Seoul National University |
Cho, Wonhyong |
Researcher at the National Institute of the Korean Language |
Supported by 