KEAMSAC2014
October
8, 2014. Building 220 Room 202
October 9, 2014. Building 55
Room 102
Seoul National University
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DATE (VENUE) |
TIME |
PROGRAM |
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Wednesday OCT. 8 2014 (220-202) |
13:00 |
Registration |
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|
13:20 |
Richard Dudas |
Greetings |
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|
13:30 |
Jaeseong You / Johnathan Turner / Jun Hee Lee / Tae Hong Park New York
University, USA |
Sound Semantics: Mining Collective Listening |
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|
14:05 |
Max Neupert Yeungnam
University, Korea
Joachim Gossmann |
Performing Audiovisual
Corpora of Arbitrary Instruments |
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|
14:40 |
Yemin Oh Louisiana
State University, USA |
Audio-Based
Visualization of Expressive Body Movement in Music Performance: An
Evaluation of Methodology in Three Electroacoustic Compositions |
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|
15:15 |
coffee
break |
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|
15:45 |
Cathy L. Cox Kunitachi
College of Music, Japan |
Between
the Abstract and the Real: Context
in Electro-acoustic Music Analysis |
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|
16.20 |
Felipe De Almeida
Ribeiro Universidade Estadual do Paraná, Brazil |
The Emancipation of
Referentiality through the Use of Microsounds and Electronics in the Music of
Luigi Nono |
|
|
16:55 (17:30) |
Alba Francesca Battista Conservatoire
“U. Giordano” of Foggia, Italy |
New Paths to Explore
Listening: Luc Ferrari athwart the
aesthesic-cognitive approach |
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|
Thursday OCT. 9 2014 (55-102) |
13:30 |
Charles Nichols Virginia
Tech, School of Performing Arts, USA |
Sound
of Rivers: Stone Drum Translating
limnology into multimedia |
|
14:05 |
Eun-Chang Park Dong-A
University, Korea |
About Analyzation of
"Sense, Cross and Play" |
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|
14:40 |
Steven T. Kemper Rutgers,
The State University of New Jersey, USA |
Composing
for Musical Robots: Aesthetics
of electromechanical music |
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|
15:15 |
coffee
break |
||
|
15:45 |
Deborah Kim Sydney
Conservatorium of Music, Australia |
Cognitive Sound Image: The creative compositional
process involved in electroacoustic audiovisual music and motion graphics
score designing |
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|
16.20 |
Dominique Fober / Yann Orlarey /
Stéphane Letz GRAME, Centre national de création musicale, France |
Augmented
Interactive Scores for Music Creation |
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|
16:55 (17:30) |
Miriam Akkermann Berlin
University of the Arts, Germany |
Historic performance
practice in computer music: Necessity or outrage? |
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