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KEAMSAC2015

October 2-3, 2015

Building 220 Room 202, Seoul National University

 

 

 

DATE

TIME

SESSION

PROGRAM

 

Friday

 

OCT. 2

13:00

Registration

 

13:20

1

 

Chair:

Kevin Parks

Kevin Parks

Catholic University of Daegu, Korea

Greetings

 

13:30

Roger Alsop

University of Melbourne, Australia

                                                                                                                        

 

Integrating Composer/Improviser’s Actions in the Creation of an Interactive and Provocative Composition System

 

14:05

Adrian Carroll

JMC Academy, Australia

 

 

 

 

Compositional Triggers:
Improvising song structure in live performance

 

14:40

Alice Bennett / Vincent Giles

Australian Institute of Music, Australia

 

Locating and Utilising Inherent Qualities in an Expanded Sound Palette for Solo Flute

 

15:15

coffee break

 

15:45

2

 

Chair:

Kevin Parks

Andrew Ward

Queensland University of Technology, Australia

 

 

 

 

 

21st Century Performance possibilities:
Incorporating holographic and holophonic technology into the contemporary music performance space

 

16.20

Bojan Milosevic / Jan Schacher

Institute for Computer Music and Sound Technology (ICST),

Zurich University of the Arts, Switzerland

 

The Immersive Lab:
An interactive audio-visual space for artistic exploration

 

16:55

 

 

(17:30)

Alba Battista

Conservatory “D. Cimarosa” of Avellino, Italy

Nicola Monopoli

Conservatory “U. Giordano” of Foggia, Italy

 

RCCM Canons:
An algorithm for their use in spatialization in real time

 

Saturday

 

OCT. 3

 

10:30

3

 

Chair:

Kevin Parks

Reiko Yamada

Radcliffe Institute for Advance Study, Harvard University, USA

 

Working with Imperfection in a Site-specific and Interactive Sound-art Installation

 

11:05

Ali Ostovar

Folkwang University of Arts, Germany
Conservatory S.Cecilia of Rome, Italy

 

Multicultural Music:
Persian electronic music

 

11:40

JongHwa Park

Seoul National University, Korea

 

 

 

 

 

The Ability of Piano and String Players to Process and Memorize Musical Information:

Analytical differences of specialization and atrophy between the two instrument players

 

12:15

coffee break

 

14:00

4

 

Chair:

Kevin Parks

Roger Alsop

University of Melbourne, Australia

Vincent Giles

Australian Institute of Music, Australia

 

Interpreting Data:
Re-contextualizing data to develop approaches to musical composition

 

14:35

 

(15:45)

James McCartney (Keynote Speaker)

Creator of SuperCollider, USA

  

Sound as Pure Form